Kar Har Maiden Fateh- Sanju(2018)

Written by Aayush Jha

"Pighla de zanjeerein Bana unki shamsheerein"

0:00 - 0:18

The camera is at Eye-level, and it is a medium close up shot. The camera moves from the Sanju taking the tape and looking at his Family Photograph. The focus then shifts to Kamli who is standing behind Sanju. Then we can see Sanju taking the photograph and leave Kamli's house.

Sanju who ran away from a de-addiction centre, has come to Kamli's house, where he finds his old family photograph. He decides that this time he will change things for himself and simply leaves Kamli's house with the tape and photograph.

In the scene, we can see Sanju (Ranbir Kapoor), Kamli (Vicky Kaushal) and also presence of some props like the tape and the family photograph.

"Kar har maidaan fateh o bandeya

Kar har maidan fateh"

0:19 - 0:33

Moving Shot, Eye level Camera, Mid Shot. After Kamli hands over some money to Sanju, the camera moves with Sanju and matches his speed. Focus completely changes to Sanju. Scene is shot in broad daylight.

After Sanju leaves Kamli's House, Kamli stops him outside the house and hands him some money, to which he starts crying and walks away from him. He is in tears and walks away from Kamli, and is determined to improve his condition.

in this scene, we see Sanju and Kamli outside Kamli's house. Sanju is in tears as he feels sorry for himself and walks towards a better life.

(Music plays)

0:34 - 0:42

Scene starts with a Drone Shot, Birds Eye View angle. Very Wide shot and gradually focus changes to a bus with a travelling shot, then a handheld, mid shot to Sanju whois sitting in the bus.

The scene is showing Sanju who is travelling in a bus and focuses on how tightly he has held his family photograph to his chest. He also has a very determined look on his face. We see Sanju in a bus, along with other passengers who are out of focus. He is also seen holding his family photograph very closely to his chest.

"Ghayal parinda hai tu ,Dikhla de zinda hai tu

Baagi hai tujhme hausla Tere junoon ke aage, Ambar panaahe maange

Kar daale tu jo faisla...

0:43 - 1:08

Scene starts with eye level, mid shot shot using a Tripod. We also see a drug dealer sitting on a bike, in a wide angle shot. Then in a high angle shot, we see Sanju taking drugs, tape and headphones from him by giving him the money. Then in a drone used wide shot, we see Sanju sitting on a hill looking at the family picture.

Sanju looks upon a drug dealer and decides to buy the drugs from him, he also takes the tape player and headphones from him. He then does some thinking, while sitting on a hill and looking at his family picture. Basically, he is finding reasons to change.

Sanju is seen buying drugs from the drug dealer, after which there are couple of shots in which he is listening to his mother's tape and looking very closely at his family picture.

"Roothi taqdeerein toh kya , Tooti shamsheerein toh kya

Tooti shamsheeron se hi ho...

Kar har maidan fateh(x2)

Kar har maidan fateh re bandeya

Har maidaan fateh(x1)"

1:08 - 1:37

Scene starts with a closeup shot of the family photograph on which then a shadow emerges, then the camera shifts to Nargis Dutt (Sanju's Mom). Then in a wide shot she picks up Sanju and taps on his cheeks in a closeup shot, then dances to a tune, after which Sanju follows her, in a very wide angle drone shot. Few silhoutte shots are also taken from a wide angle.

Sanju is lookng at the family photograph, then Sanju recollects memories of his mother (Nargis Dutt) who then enters his imagination, and tries to motivate him and gets things done from him. She places her trust on him and encourages him with a dance move, to which he gets all energetic.

Along with Sanju, now Nargis(Manisha Koiralla) enters the frame in Sanju's imagination. The prop used in the scene is the family photograph.

"Har maidaan fateh (x1)"

1:38-1:52

Eye-Level, Dolly, Wide Tracking Shot. The camera shifts to the instructor who welcomes Sanju. The camera shifts focus to Sanju after the doctor welcomes him back, via a medium close up shots.

Sanju who is motivated and returns back to rehabilitation centre. He dances his way and is welcomed by the doctor. He smiles back and continues to dance. He looks very determined and motivated this time.

Sanju comes back to the rehabilitation center, after a 14 day break. There are other people in the hall as well, along with the doctor and the trainer.

"Tum gardishon ke baadalon pe chadh ke

Waqt ka girebaan pakad ke

Poochhna hai jeet ka pata, jeet ka pata"

1:53-2:08

The scene starts with a high angle, static, wide shot which involves the Health Coach, Sanju, some other patients and a mountain in the background. The camera than pans to Nargis who Sanju imagines in a series of facial closeups shots.

After being back, Sanju looks fresh again and faces a task of climbing the mountain. He then imagines his mother standing on one of the rocks and feels she is there to motivate him. She encourages him using actions, seeing which he starts running towards the peak of the mountain.

The scene involves the Health coach, other patients and Sanju whose aim is to climb the peak of the mountain. Sanju also imagines his mother who is there to to encourage him.

"In muthiyon mein chaand tare bhar ke

Aasman ki hadd se ghuzar ke

Ho ja tu bheed se judaa, bheed se judaa(x2)"

2:09-2:21

The scene begis with static, handled wide and medium close up shots respectively. There are also a few slow-motion shots taken of Sanju running and crossing the other patients. The scene ends ends with a closeup shot of the health coach who is happy for Sanju that he is showing improvement.

In the scene, there are shots of Sanju running past other participants. he looks really energetic and motivated. He thinks the peak is not far from him and he can do the task quite easily.

The scene involves Sanju who looks energetic and motivated to climb the peak, along with other patients and the Health Coach. The prop shown here is the Headphone and the Tape Player.

"Kehne ko zarra hai tu

Lohe ka chharra hai tu

Tooti shamsheeron se hi ho"

02:21-2:32

The scene starts with a very wide, high angle shot of Sanju running across the breadth of the peak, followed by a few close up slow motion of Sanju and his shoe on the ground. Then in a static, high angle shot we see Sanju gets tired.

After a lot of running across the hill and through narrow pathways. Sanju gets tired and places his hands on the knee. He is breathing very heavily and looks in a lot of pain and is very tired.

Sanju is seen with his headphones on, the scene also has the hill in the backdrop.

"Kar har maidaan fateh

Kar har maidan fateh

Kar har maidaan fateh re bandeya

Har maidan fateh (x2)"

2:33-2:59

The scene begins with a low-angle static shot showing Sanju on the ground and then a high angle, static shot showing his mother coming to pick him up. Then the camera in a series mid shots capture Nargis motivating Sanju, and then Sanju starts running towards the peak, in a static slow motion shot. Then the drone captures Sanju running through the narrow lanes towards the peak.

Sanju falls as he is tired. He then imagines his mother, who enters the scene and is there to motivate him. She told him as he stands up, he then starts running and then he looks back to his mother who then gives him a flying kiss. He feels motivated again.

After a long and tiring run, Sanju falls on the ground and then again, his mother enters the frame to support him. He, then again gets up and starts running.

"Kar har maidaan fateh

Kar har maidan fateh

Kar har maidaan fateh re bandeya

Har maidan fateh (x1)"

3:00-3:20

Scene starts with a close up shot of Sanju's face, in which he looks at the mountain peak. Then there is a static, close up shot from the peak, on which Sanju's hands appear. Then there is a wide, drone shot in which Sanju can be seen on the peak.

While running, Sanju looks up at the peak and then climbs up on the mountain. He then relaxes up on the mountain with his arms wide open.

Sanju now climbs up on the mountain, and on the backdrop we have a view from the top of the mountain of a sea.